A) Michel-Eugène Chevreul
B) Edmund Burke
C) Charles Baudelaire
D) Cornelius Vanderbilt
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A) market
B) studio
C) revolution
D) church
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A) discussions by bourgeois members of the "café society" in Paris
B) alternative exhibitions of artists who had been rejected by the Salon
C) the writings of Karl Marx
D) in programs of French utopian socialists
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A) There was a resurgence in political art.
B) Artists turned to lithography and other printed formats for social critique.
C) Overt political commentary diminished in the art of the avant-garde.
D) Avant-garde artists produce politically charged work anonymously and under pseudonyms.
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A) symmetrical
B) picturesque
C) Grand Manner
D) maze
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A) It was built with Classical materials and engineering techniques.
B) Its design was based on Baroque architectural forms.
C) Its primary function was to entertain the French social elite.
D) It was part of urban planning efforts to redesign the medieval city of Paris.
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A) history painting
B) historic battles
C) the subconscious mind
D) nature
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A) weapons
B) femme fatales
C) demons
D) masks
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A) social issues
B) academic convention
C) decorative art nouveau line
D) pointillism
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A) the American factory
B) Greek and Roman architecture
C) the skyscraper
D) Gothic cathedrals
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Multiple Choice
A) The figure grouping is placed at eye-level.
B) The figures show emotional anguish and despair.
C) Rodin suggests their pain through physical discomfort.
D) All of the above
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A) lithography
B) photography
C) painting
D) sketches
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A) evoke a strong emotional reaction from the viewer
B) create an image of pure aesthetic pleasure
C) make of Impressionism something solid and durable
D) capture transitory effects of light and atmosphere
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A) Morris
B) Ruskin
C) Homer
D) Eakins
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